Finally, a photo of the builder's nameplate.
Thursday, November 18, 2010

The keyboard layout, provided by the owner. As it says on the layout, this instrument is unisonoric, meaning that there is only one note for any given button, push or pull, much like a piano accordion. Chemnitzer concertinas are bisonoric, meaning that for any given button (with the exception of two of them) there is a different note on push or pull.
A shot of the right side reed blocks. The instrument utilizes long plate reeds, the reed plates being a combination of aluminum, brass, and zinc. There are three reeds per note on the right side (medium reeds) while the left side has two reeds per note (one low reed and one medium reed, with some of the lower notes being contra basses). At the time this photo was taken, I was in the process of putting new leathers on the reed plates, as the old ones were curled. The new leathers are a pale yellow color, while the old ones are more of a light brown color.
Schonherr & Matthes bandonion
While I am still in the process of building SUPREME #3, I also took on a tuning job. The instrument is an unusual bandonion. Actually, it is a chromatic accordion in a concertina/bandonion shell. The player's thumbs go in the oval-shaped holes on the black rails on the ends of the box.
It was built by the firm of Schonherr & Matthes of Olbernhau, Saxony, Germany in the early to mid 1930's. For its age, it is in pristine condition.
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